Wednesday, January 26, 2011
Last year was a good year. We shot 2 shorts that each played in festivals, prepped another short which we filmed in early Jan '11, and shot a commercial for local tv. Our goal every year is to top the previous year's accomplishments and to go further with this mad passion.
2011 is shaping up to be a good one! "Blood Therapy" is set to screen at the Oxford Film Fest on February 11th, and our latest project, "Suffering Fools" is in post-production now. Plus, we've got some very cool new things planned that guess what.... I can't spoil yet! I will give one hint: We are working on ways to get our movies to more people. We are honored that people have asked for this.
As for more movies.... We've got some projects in the works that we cannot wait to reveal. From teaming up with some film friends to making our own movies, we are really excited about the stories we get to tell in 2011!
Which brings me to an important point. We want to take a moment to say "thank you" to all those who have helped us over the past 3 1/2 years (wow, has it been that long?). We could not do this without our awesome Cinegore cast and crew, and are very appreciative of their hard work and enthusiasm. Your enthusiasm and excitement make filmmaking fun!
Break out the ear buds baby, because ours goes to '11!!!!!
Friday, January 21, 2011
While writing my current feature script I am also watching movies that take place in one location. Hey, when I get to use the excuse of "research" to watch MORE movies, you better believe I'll take it! Last night I watched Alfred Hitchcock's gem, "Rope". Now, if you don't know anything about this movie, stop right here and either go read about how it was shot, or rent it. Better yet, do both.
"Rope" is a remarkable piece of cinema. "Rope" was originally a stage play, and when Hitchcock decided to adapt it, he was adamant about making his film "look" like it was unfolding just like a play would - in real time and as one single continuous shot. While dialog heavy (like a play), it is quite engaging thanks to the remarkable cast.
But the real beauty comes in how it was filmed - how the filmmakers pulled off this "continuous shot". Sir Alfred employed a mobile camera setup that would allow it to freely follow the action on a studio set. Since a reel of film only holds 10 minutes of footage, Hitchcock hid his cuts by pushing in on the darkness of an actor's back or furniture in order to mask any cuts. I can only imagine what pre-production planning was like!
This unique approach to photographing movies isn't very efficient by traditional standards, but I think it's important as a filmmaker to study different techniques. I employed the traditional "coverage" shooting for my first 3 shorts with fairly short takes, but I hope to move into more lengthy shots in my first feature. Longer shots, while requiring extra rehearsal and time, add to the overall cinematic feel to movies. "Rope" is an excellent reference tool for any filmmaker.